“To begin each painting Ito arranges a tableau in his living space. These compositions are captured on an early example of digital point-and-shoot camera. The crunchy and imprecise images are relayed by software to a decades-old piece of machinery that sorts the colors into CMYK and interprets the jpeg by depositing oil paint onto a textured linen surface. The machine — and the software communicating with it—invite unpredicitable interpretations...”

—Château Shatto

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